The song is another prismatic example of the way Dijon’s productions access the buzzy, late-night feeling when affection and tenderness flow as freely as the music pumping from the speakers. I decided to incorporate black excellence into this that girl aesthetic as well as give you all a bonus loading screen specifically tailored to black love.
#BLACK GIRL MAGIC ICON PIC FULL#
For every pulse-racing dance breakdown, there’s a surprise: “Show Me Some Love” thumps with smoky energy, rooted by a heavy bassline, warped keys, and the mellow vocals of Channel Tres, who provides a laidback foil for Dijon’s punchy production. Here are a couple of new Custom Loading Screens for you all to celebrate this month full of love and pure chocolatiness. The rudimentary backdrop amplifies the unvarnished appeal of Renea’s affirming words.ĭijon is in her element here, eager to expand house music’s limits. Black Girl Magic T-shirt Design showing a black girls hand waving a magic wand doing some magic with the quote BLACK GIRL MAGIC. “Freedom has a space in the song that someday you and I will write.” Even when Dijon’s music reaches for a gooier sentiment of positivity, she charges it with deeper impact: “Love is a state of mind/It will bring us all together,” singer Ramona Renea preaches on “Love Is a State of Mind” against a spare stomp and sauntering synths. She lowers things to a simmer on “It’s Quiet Now,” where luminous synth pads cast an air of seduction as Toronto singer Dope Earth Alien summons the strength to break off a toxic relationship: “We try our best to love but all we do is fight,” she chants during the ascendant bridge. The album’s buoyant music is tempered with lyrics that focus on finding love, whether for yourself or someone else. The exhibit will be on display through the month of March which is Womens History Month.
When Brazilian drag star Pabllo Vittar and singer Urias break into chants on the disco-laced “Everybody,” you can practically hear the glee and camaraderie radiating through their smiles. The opening of the Black Girl Magic photo exhibition in the BCC.
The pace is often brisk and uptempo, a soundtrack to a decadent night out at a club of Dijon’s own making that weaves messages of community and resilience into each song. She teams up with longtime co-producer Luke Solomon on several songs, including the satiny “In the Club,” which recasts rap icon Eve in an inspired new role as a house diva over springing synths and a driving kick drum. On the standout “Work,” a strutting jazz-house cut, she recruits Los Angeles singer-songwriters Dave Giles II and Cor.Ece alongside Chicago hip-house legend Mike Dunn its downpitched hook, decorated with rippling horns, is immediately irresistible. Black Girl Magic has the good-natured feel of a family affair, filled out with a wide circle of new and familiar collaborators.
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